![]() The Ganja label's almost immediate popularity - primarily through floor-fillers such as DJ Krome & Time's "Ganja Man" and DJ Zinc's penultimate 1995 anthem "Super Sharp Shooter" - peaked in late 1995 with Still Smokin', a combined-release label compilation between Ganja and cohort Pascal's Frontline imprint, which became one of the highest-selling independent jungle compilations. Although he never lost touch with his breakbeat roots (even going so far as to spin hip-hop instrumentals over house tracks to add a bit of rhythmic flare), it wasn't until he launched his own Ganja label in 1994 (with "Cops") that he began seriously focusing on the post-rave possibilities of sampled breaks. ![]() Hype began producing in 1990, engineering and co-producing tracks (including chart-toppers such as "Exorcist" and "The Bee") for hardcore staples Kickin', Strictly Underground, and Sub Base. (Of course, his sets tend to consist almost exclusively of the latter, which somewhat undermines his argument.) A champion of jungle's dancefloor purity, Hype has also rallied consistently against jungle's compartmentalization into artificial "scenes" such as ambient/intelligent and hip-hop/ragga. He's also one of London's popular Kiss FM's biggest attractions and was the force behind Suburban Base's popular multi-volumed mixed compilation series, Drum and Bass Selection. ![]() He was an early force on one of London's most influential pirate stations, Fantasy FM, and since then he's consistently topped bills on the international DJ circuit, landing awards for Best Male DJ and Best Radio DJ (in 19, respectively) at the U.K.'s prestigious Hardcore Awards. A battle DJ of renown (he represented England in the 1989 DMCs), Hype had a history of electrifying deckwork before moving on from his reggae and hip-hop roots in the late '80s and latching onto house and hardcore. ![]() Although his Ganja Records label and tracks released under his own name and with the Ganja Kru have helped, it's the "DJ" at the front of Hype's name that has proved most important in raising his profile to the level of the Grooverider's, Goldie's, and LTJ Bukem's of drum'n'bass. ![]()
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